Scaling Back: a Photographic Exercise

Choppy waters just beyond the Golden Gate Bridge.

On November 4 I boarded a plane in Portland, Maine to cross the country and land in San Francisco. The family was congregating in the city that my youngest cousin now calls home, so we could all attend his wedding. I was beyond excited.

First, I was excited to finally get to see San Francisco, and that the Weekend Warrior was coming with me (knowing he would finally see the Golden Gate Bridge, which he seems to have a mild obsession with, was fueling my enthusiasm). This was the final wedding of my 2009 season, only this time I was going as a guest. No pressure on me, aside from the fact that I would be required to put some serious effort into my outfit, and (*GASP*) wear heels.

Walking around the streets of San Francisco made me really thirsty.

I thought about how I would actually sit and eat an entire meal. I would hit the dance floor and dance for hours. I would hang out with my family, laughing and talking and watching my cousin have his moment. And I would get to see another photographer in action! I love to watch people who know their craft work, so this was something I was really looking forward to.

Then it came time to pack my equipment. I wasn't responsible for a wedding or portraits or film stills, so perhaps I could really scale back. I could bring just what I'm comfortable carrying on me for hours. I could finally do something I've wanted to do for a long time: One camera body, and one lens. But not a zoom lens, that's almost cheating. A 50 mm, nothing else and see what I get.

I loved how the sun was hitting this little building, begging me to take its picture.

In my twenties, before the days of auto-focus and extra bells and whistles, I went everywhere with a Pentax K1000 and a 28mm lens. I got very used to shooting close to my subjects or making negative space work in my favor. Things are different now, to say the least, but the desire to scale down and simplify is still with me. Excessive gear doesn't mean much. The important thing is to be comfortable and skilled with the gear you do have. Bringing only a 50mm lens is an excellent exercise for any photographer. If the shot doesn't work you either find a way to make it work or you move on to the next thing that might. It's an exercise in finding new ways to see (or a reminder of how you used to see, before all the auto-focus zooms came into your life).

Down at Fisherman's Wharf, in what I called 'Crab Alley'.


The end of Larkin.

Not to mention, it's a very compact and light lens making all day excursions with a camera around your shoulder much easier, especially when renting bikes. All of the photos in this post were taken on that trip, with a 50mm f1.4 lens. I'm looking forward to the next chance I get to stretch my photo brain like that.

I love the texture and color of this. Rusty metal things do it for me.

The touristy shot. I went under on a boat and across on a bike.

This little exercise stretched my creativity and left me wanting more. This is what scaling back did for me. What do you think it could do for you?

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